Curious Naturalist: The Art of Observation

Bald Eagle

Bald Eagle 2014 © Stephen Bruno

Over my many years of nature and wildlife photography in numerous locations, I have become a curious naturalist. I know a lot about birds and animals because I have studied them for years. Whenever I photograph something new, I return home to my study and thoroughly research them.

I find it interesting that frequently people are in such a hurry to walk through the forest, country, and desert that they appear to miss so many opportunities to observe nature and wildlife. Visit my photography website and view a slideshow of my photography. http://www.stephenbrunophotography.com/.

Once I was photographing a large tarantula when an older couple walked by and the man quickly took a twig and scooted the tarantula off the path and into a pile of leaves. The woman glanced at my raised camera and me and asked if I was photographing the tarantula. I lied and told her no, that I was just observing it. It did not seem to matter much to explain how he interfered with my observation and photography.

Another time I was photographing an Osprey that I had tracked around a lake to a tree high above a well-worn path. Just as I had raised my camera with a telephoto lens and was focusing in on the Osprey eating a rainbow trout, a family walked rapidly passed me talking loudly as they neared the large tree with the Osprey. Unfortunately, the bird became nervous and flew to the other side of the lake. Although disappointing that I had missed the opportunity to photograph the bird that I had pursued so vigilantly, I was amazed that the family never even noticed the Osprey.

There is so much to see when we are in nature if we have the patience and presence to observe. Most people now have a cell phone with reasonable photography capability or a compact camera. If you are not a photographer or prefer to draw, sketch the wildlife that you see and note the location.

Walk with someone who can point out things of interest in the field and explain simple, useful identifying characteristics.This is one reason why I offer photography workshops. http://www.stephenbrunophotography.com/Photography-Workshops

People who view my wildlife photography frequently ask how I get so close to photograph wildlife.

Below are a few of my approaches to photographing wildlife close up:

  • Shifting between my vision, hearing, smell, touch, and taste.
  • Stopping at the nearest desert, forestry office or interpretive center to pick up brochures, trail maps, and wildlife checklists. Asking about any recent wildlife sightings.
  • Following my intuition. If the hair on the back of my neck stands up, wildlife could be near!
  • Being mindful of recent weather and knowing that temperature, sunlight, and precipitation all factor into reading tracks and wildlife behavior.

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Teaching the Essence of Wildlife Photography

 

Beaver photographed in darkness across the lake May 2018 © Stephen Bruno

I am frequently asked about my approach to teaching wildlife photography. I have a different perspective on teaching photography classes and workshops. Drawing on my writing, art, and photography background my teaching emphasis is on spontaneous natural creativity and systematic technology.

I believe that it is the craft of ‘process,’ that creates the art of photography. Regardless of the technical acumen, the camera cannot tell the photographer what to include in the composition. No matter how advanced the camera is, it cannot create a connection with the subject nor show when to press the shutter button.

I teach The Essence of Wildlife Photography for beginner, intermediate and newly professional level photography enthusiasts primarily for people with DSLR cameras and compact cameras that offer some setting options. People with point and shoot cameras without setting options will still learn many valuable photography principles.

Included in the easy to learn field instruction on wildlife photography are natural non-threatening wildlife approaches, and camera settings (ISO, white balance, shutter speed, aperture, shooting modes: manual vs. aperture and priority vs. shutter priority, etc.). Instruction also includes learning how to hold the camera steady, obtaining clear images of birds in flight, using a variety of background effects, and creative use of the composition.

I teach wildlife photography in a patient, compassionate, and thorough manner with easy to follow instructions using lecture, demonstration and hands-on approaches tailored to the students. I photograph to be surprised and delighted!

The emphasis is on practical field practice. I share numerous professional tips and techniques from my many years’ experience of wildlife photography from film to digital. Students are encouraged to bring their digital camera, owner’s manual, plenty of charged batteries, and extra storage media.

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