Embracing New Adventures

They are packing and are moving to Cedaredge with me.

The end of this year and the beginning of the new year brings many adventurous changes in my life and hopefully for yours. I’ve always told friends that the only fear I have is remaining the same tomorrow as I am today. Perhaps, this is why I’ve been a risk-taker my entire life.

I’m moving very soon from Grand Junction, Colorado to my new mountain home in Cedaredge, Colorado where the Grand Mesa’s southern slopes meet the Uncompahgre and Gunnison River valleys. The charming mountain town offers friendly neighbors, orchards, and access to dozens of trout lakes. I love that the town has only one traffic signal and just a few historic downtown blocks of diverse small businesses.

Late fall brings bushels of apples on the town’s many trees. The large apple tree in my backyard brings dozens of deer to nibble on the apples. I look forward to connecting with them and taking some photographs to share. This past October, I attended the annual Applefest held at the Cedaredge Town’s Park within walking distance from my new home. Applefest brings over 20,000 people and it is free to attend. I had an amazing time visiting the over 200 vendors, wonderful music, and tasting the delicious food.

Cedaredge genuinely feels like stepping into a Hallmark movie with a sense of community, natural beautiful surroundings, and a wonderful quality of life. Yes, I know, I’m a hopeless romantic, and I do enjoy the Hallmark Christmas movies this time of year. I can believe in experiencing the magic of Christmas. Seriously, wouldn’t you want to have this pleasure? Moving to Cedaredge means I can have the pleasure all year long.  I believe in sharing community with compassion. Today I arranged to volunteer as a server for the Cedaredge Christmas dinner this year. Over 300 people are expected. The cost is a donation but not required. The dinner location is within walking distance of my new home.

Just 15 minutes or so from the town on the Grand Mesa Scenic Byways there are old-growth forests, aspens, meadows and 300 beautiful lakes that lead to the Grand Mesa mountain. I’m planning on taking countless color digital and black and white film photographs of wildlife and nature throughout the four seasons to share. This is one of the reasons I wanted to move to Cedaredge.

One immediate change is that I am honoring my values and principles and I am closing out my Facebook accounts effective today. For a while now, I have been concerned about the direction the Facebook company is moving. From the company’s reactions rather than responses to the community’s trust concerns, I do not believe that Facebook will institute necessary positive changes anytime soon. Nevertheless, I’ll share on this blog, the same positive posts I have on Facebook.

I am encouraging my supportive friends on Facebook to connect and follow me by registering on this blog. You’ll receive an email notice every time I share a new post on the blog. You can now view photographs that I have frequently posted on FB for many years on my photography website at Stephen Bruno Photography. My newest photographs are in the Recent Photo Shoot gallery. The benefit is rather than a select few images I’ve posted on Facebook, you can now see many more images from my photo shoot.

Next year is the time I plan to publish several novels, nonfiction books and poetry, and short stories that I’ve been working on for an eternity. Well, at least it seems that way. I know that I have more wrinkles, less hair, and more bags under my eyes than when I began these books. The beautiful charming mountain atmosphere, wild critters, and friendly people can contribute to my creativity and productivity.

To love means loving the unlovable. To forgive means pardoning the unpardonable. Faith means believing the unbelievable. Hope means hoping when everything seems hopeless.

~Gilbert K. Chesterton 1874-1936, British Author

Not Exactly My Finer Moments.

Mallard Duck, 2016 © Stephen Bruno

Many years ago, I was the Publisher and Editor of the Arizona Literary Review, a monthly literary, art, and photography magazine. Today I was sorting through some of my papers for better organization when I found a copy of the June 1992 issue of the magazine. It was a bit of nostalgia to look through Arizona Literary Review.

While looking at this June issue this morning, I valued high-quality literary, art, and photography that people submitted. When I created the magazine, I imagined that it would eventually reach across the country. I had no idea that people as far away as Paris, France would subscribe and send their submissions, including well-established authors.  As a writer, artist, and photographer It was a pleasure providing opportunities for contributors to be published, some for the first time. Decades later, I happened to meet a neighbor who reminded me that I published his photography in the first issue of the Arizona Literary Review. This visibility started his professional career, and he became a renown photographer.

I read an article in the issue that I wrote in my column, From the Publisher & Editor titled, I Fell in Love with Marie Antoinette, about imagination, creativity, and sometimes not taking ourselves too seriously. I would like to share this with you in my blog post as I believe there is still some relevance.

When we fall in love, I believe that the latent characters who normally reside passively within our psyche suddenly emerge. Our emotions intensify creating illusions of reality. Romantic songs play “just for us,” and the world revolves around our immediate needs and desires. You know the sense when the flowers are brighter, the air is crisper, and the birds sing sweeter.

With creativity, passion is also aroused and inhibited, equally often without satisfactory resolution. The quality of this relationship to creativity determines how we share our passion. Sometimes it is expressed by writing, photography, painting, dance, or music.

There are moments when I can recall a furtive glance by an inquisitive squirrel; the whooshing sound of wind embracing the tall pines; the distinctive aroma of summer blossoms, and cherished memories for a high school sweetheart. The haunting words and melodic rhythm of the 60s song, We got to get out of this place, revive the indelible melancholy and mania for my 14-month tour of duty in Vietnam. Then these memories vaporize just as suddenly.

My passion is to understand how this lingering tenderness in such sensorial experiences manifests itself in unrestricted drawing, painting, writing, and photography. I feel drawn into and captivated by this intimate involvement with my raw emotions in an undefined desire for creativity.

The arduous process of establishing an authentic relationship with creativity is an intimate, passionate process. Having our work published is a collective external experience. Poetry, fiction, photography, music, dance, and drama caress the heart soul and spirit. As an artist, writer, and photographer I appreciate the creative depth from others who also enjoy these mediums.

Relationships real or imagined are a wealth of resources for story, character, and plot development. Several years ago, I indifferently requested a book on Marie Antoinette through a popular book club. To my astonishment, I identified with her struggles, dreams, losses, adventures, letters, and trauma dramas.

I began writing a historical novel reflecting on the essence of Marie Antoinette.  The positive elements of her life and personality that are less known. Sometime during that year, I fell in love with Marie Antoinette and rediscovered my creative passion soon after I published the Arizona Literary Review. Many years earlier as Editor-Chief of my college newspaper I produced the weekly publications with great enthusiasm, but without as much passion.

I believe that we stimulate our inspiration when we experience the unusual in the familiar. In my thirties, at an airline terminal, I sketched on an imaginary drawing pad the divergence of passengers waiting to board a flight. I observed their mannerisms, conversations, and facial features which I committed to memory for later retrieval in one of my novels.

Startled out of my reverie of character sketching, I heard the last few words of my flight’s departure announcement in the loudspeaker. Reaching for my portable art bin, I remembered that the drawings and art supplies were imaginary.

Feeling chagrined, I hurried past all the passengers to the front of the line along the tarmac towards the America West Airlines aircraft so that I could get the window seat that I preferred. At that time no one had assigned seating. Unlike at many airports today, everyone walked along the tarmac and climbed the mobile stairs to board the aircraft.

Consumed with my recent creative energy and overly stimulated imagination, I climbed the portable stairs leading to the aircraft’s forward cabin ahead of the other passengers. On the aircraft at the top of the stairs, a uniformed Flight Attendant politely greeted me and asked to see my airline ticket. With a curious appraisal of me, she suggested that this was not the correct aircraft that I wanted. Trying to nurture me through my confused gaze, she said that the flight I wanted was on the other side of the aircraft.

With a slight half smile, she pointed to the last of the passengers on my flight who were on the tarmac walking to the other side of the aircraft. I couldn’t help myself I and asked if she was sure that this aircraft was not my flight. Once again, with a measure of infinite patience and smile, she said that she could assure me with absolute confidence that I was not going anywhere on this aircraft.

The Flight Attendant then gently handed me back my ticket and wished me a good flight. In addition to the previous concentration on my character sketching I had a couple of intense things in my life that needed some resolution, and I figured that being a bit distracted is understandable resulting in my attempting to board the wrong aircraft. I casually turned and noticed that the line of passengers was no longer on the tarmac.

I walked carefully down the steps trying to make sense of this unfamiliar experience until I reached the bottom of the stairs. Perhaps an intuition, I turned around and looked up at the top of the stairs. I noticed that the Flight Attendant was still standing by the door, and now with several other uniformed personnel who were all staring down at me.

With a Mona Lisa smile and the slight movement of her eyes looking to the left and down I finally realized why they all were so amused. With the sun gleaming off the aircraft I looked up and saw that the wing was empty where the engine should be. With a gleam in her eye, a nod, and a warm smile, the Flight Attendant placed her hand over her heart as if to say she understood and wished me well.

I was the last passenger to board the correct aircraft and ignoring all the passenger smiles and subdued laughter who had watched me climb up the stairs to an aircraft with no engine; I found an empty aisle seat. Yes, I was embarrassed by this careless attention to familiar detail but found the humor, nonetheless and I still do. I have since embraced the subtle and powerful influence of the familiar on writing, art, photography, and everyday life and the value of being able to laugh at ourselves.

Suspending judgment removes the shackles that inhibit who we truly are. A healthy sense of humor offers insight, humility, and tickles our judgments into a relaxed state in which curiosity offers a resolution.

When the plane landed, I was determined to make up for my faux pas by asking out a Flight Attendant who had been particularly warm and friendly to me during the flight. I was the last one off the aircraft, and as I walked along the hall toward the baggage claim, she met up with me and walked right alongside so close that we occasional brushed against each other.

Normally not too inhibited socially, I knew that before we reached the end of the hall where I needed to turn right, that I must ask her if she would be interested in sharing some time together, perhaps lunch. As we walked along, I looked at her, and she responded with a beautiful smile and a twinkle in her eyes.

I then without any apparent cognitive thinking asked if she knew what time it was. With a squint of her eye, she looked at my watch and told me the time.  We walked further in silence. What are you thinking, Bruno, I thought to myself? Soon we were going to reach the end of the hall, and I needed to turn right toward the baggage claim area, and she probably will go the opposite direction, and I only had a few moments to do better.

You can do this Bruno, I said to myself with confidence. I smiled, and she still smiled warmly back. Then, with a temporary mental fugue condition, I experienced an inexplicable state of altered consciousness and I asked her if she comes here often. I couldn’t believe it came out of my mouth any more than she could. She just nodded in unconcealed disbelief and disappointment at just the moment when we reached the end of the hall and without another word she turned to the left, and I walked to the right to the baggage claim area.

Not exactly my finer moments. It does, however, demonstrate how deeply we can be connected in creative ways using our imagination so that we lose perspective of the present.

The next day I decided to visit one of the lakes in the forest to focus primarily on creativity, my love of nature and wildlife and to get grounded. That Sunday afternoon, I was sketching on my outdoor easel the variety of people and families who were fishing, hiking, boating, and enjoying the sunshine and fresh air.

Five beautiful Mallard Ducks swam across the placid lake purposefully to the shore in front of me.  In unison, they began a powerful song as they marched single file up the steep hill and gathered beside my easel looking at the sketch thoughtfully.

Now, this is what nature is all about I mused. I wanted to capture this moment of communion and remember it. I positioned my charcoal pencil on a new page of the drawing tablet to sketch the largest Mallard Duck who was posing quietly beside me as he watched me sketch him.

I could hear rippling of the water, children laughing, and the flutter of songbirds. With the warmth of the sun and a light breeze, it was a great day to be creative and enjoy nature, and have wildlife come right up to me to share this special time.

The largest Mallard Duck remained standing next to be me looking intently at my sketch of his portrait. I knelt on the ground, faced him, and looked directly into his eyes.  I verbally shared the idea of unconditional compassion, love, and harmony with nature and assured him that I subscribed to these philosophies and that I valued his participation with me. I told him that he and his family are welcome to visit with me any time I’m at the lake.

I mentioned that I was a wildlife photographer and how I loved to capture the essence of wildlife in my photographs. This monologue drew his deep attention and he cocked his head frequently occasionally looking up at me and then back to the sketch. Glancing briefly at his impassive companions who stood several feet away, he then fixed his eyes back on mine.

I accepted this gaze as his sensibility and mutual understanding, and I felt that lightheaded rush of compassion and enlightenment in my connection with one of nature’s own. It was one of those rare moments and insight into the wonders of the universe and the reverence for life.

And then he bit me.

Compassion on a Lonely Road at Midnight

2018 © Stephen Bruno

I am old enough and well-traveled to have earned every wrinkle in my face, bags under my eyes, scars on my body, silver in my hair, and nose marks from my eyeglasses frames. Sometimes I feel that I am living the life within the novel, On the Road, by Jack Kerouac.

But why think about that when all the golden lands ahead of you and all kinds of unforseen events wait lurking to surprise you and make you glad you’re alive to see?
― Jack Kerouac, On the Road

My curiosity has guided me to diverse paths from pleasure to pilgrimage. Each journey brought wonderment. I have lived and worked in diverse areas including Sedona, Arizona; Lake Tahoe, Nevada; San Luis Obispo, California; Crestline, California; Monterey, California; Phoenix, Arizona; Ashland, Oregon; the Oregon Coast; Santa Fe, New Mexico; Truches, New Mexico; Reno, Nevada; Austin, Texas; Prescott, Arizona; San Antonio, Texas; Seattle, Washington; Grand Junction, Colorado and more.

I have lived on an island, in the low and high deserts, at the top of an 8,000-foot mountain, next to the ocean, on a boat, in forests, in houses or apartments, in a mobile home, by lakes, in big cities, small towns, and rural areas.

About seven months ago I decided to begin another journey. I drove my recently purchased car from Prescott, Arizona to Grand Junction, Colorado to look for a house to rent. Sight unseen, I selected Grand Junction for my belief in the friendly people, amazing wildlife, and beautiful nature. I wanted a new area to explore and photograph while I taught Reiki certification classes, provided telephone Life Coaching sessions, and taught wildlife and nature photography. I especially wanted a location where I could complete my novels and nonfiction books and prepare them for publication.

It was time to visit the city of my next home. I got up early, and after driving about eight hours, I arrived in Grand Junction and briefly looked around the area. I immediately felt that this would be home. I checked into a comfortable hotel and quickly fell asleep. Early the next morning I met with a real estate agent at a house for rent that I found online while in Prescott. Time was of the essence, and I knew I still had another 8 hours’ drive back the next morning to complete packing for my relocation.

I received a quick tour of a ranch-style 3-bedroom house on an acre, and I decided to rent it without looking further. I spent the remainder of the day exploring Grand Junction and getting a sense of what would become my new home in a few short weeks. I stayed that night at the hotel and drove the eight hours back to Prescott early the next morning.

Several weeks later I planned on driving back to Grand Junction. Sometimes things don’t work out the way we plan. The people I hired to load the truck in Prescott arrived several hours late which meant that by the time I got on the road I’d be lucky to arrive in Grand Junction by 3 AM. Although a good friend of mine would follow me later that night in a rental truck with the bulk of my belongings, I also thoroughly packed my midsized car with electronics, clothes and fragile items. The plan was to sleep that night at a hotel in Grand Junction and meet my friend with the truck in the morning to unpack at my new home.

This third trip was a drive I was familiar with even though much of it was during the late evening on roads void of many vehicles, towns or houses. I listened to music, audiobooks, talk radio, and old-time radio dramas. The only brief stops were at gas stations to fill up the car and get a quick snack I could safely eat while driving.

Around midnight I was driving along an isolated area in a different state with only the dark road and radio for companionship. I was enjoying a snack, thinking about how tired I was and contemplating how much farther I had to drive. Nonetheless, I was excited about living in a new area where I didn’t know anyone and had only briefly visited, and especially the wonderful adventures ahead of me.

Suddenly, my vehicle’s high beam headlights illuminated the highway patrol car parked on the other side of the two-way road, facing the way I came. I held my breath and reluctantly glanced at my speedometer. Oh Man! Was I way over the speed limit! I removed my foot from the gas pedal and waited for the inevitable flashing red lights. I didn’t have long to wait, and with resignation, I pulled off the road.

Continue reading

Books that Influenced My Life

 

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Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers.
― Charles William Eliot

It is no wonder how some classic books that I decided to read on my own during childhood and youth enriches my adult life. Here is a quick list of some of these books that created a foundation of entertainment, passion, compassion, inspiration, and enlightenment. I wonder what books you read that influenced your life.

  • 20,000 Leagues Under the Sea – Jules Verne
  • Alice In Wonderland – Lewis Carroll
  • The Gift of the Magi – O. Henry
  • The Trial – Franz Kafka
  • Animal Farm – George Orwell
  • The Call of the Wild – Jack London
  • Huckleberry Finn – Mark Twain
  • Pit and Pendulum – Edgar Allan Poe
  • Tell Tale Heart – Edgar Allan Poe
  • Poems – Rudyard Kipling
  • Scandal in Bohemia – Arthur Conan Doyle
  • Tom Sawyer – Mark Twain
  • Moby Dick – Herman Melville
  • Othello – William Shakespeare
  • The Strange Case of Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson
  • The Odyssey – Homer
  • The Count of Monte Cristo – Alexandre Dumas
  • A Passage to India – EM Forster
  • Nineteen Eighty-Four – George Orwell
  • To Kill A Mockingbird – Harper Lee
  • Catch-22 – Joseph Heller

Seriously?

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Years ago, I finished directing my well attended second national writer’s conference, in Washington. After so much work it was time for me to get back to my writing. I was working on a suspense novel when I heard about an opportunity for citizens to learn police procedures and develop better harmony with the police and the community.

I signed up and attended the initial meeting held at the police department. Our small group of about ten men and women received a cordial welcome and introduction by the police chief, followed by a 45-minute tour of the facility with a uniformed police captain including being fingerprinted. Already I found the knowledge of the police department would benefit my novel. I take meticulous care to present my fiction with a well-researched foundation of fact.

The police chief told us that after the weekly meetings, we would have an evening ride-a-long with a police officer in a squad car. I was especially looking forward to that experience in a police squad car, even though it was not my first time. But, that’s another story I may share in a later post.

Several police officers were invited to teach their specialty which included arrest procedures, submitting evidence for physical analysis, missing persons, fingerprinting, search warrants, gang investigations, internal affairs, fundamental prisoner safety and security, booking procedures, examination of crime scenes, and special issues involving handcuffing.

During the discussion on handcuffing a suspect, the officer stood in the front of the room and looked solemnly at each of us sitting around the large oval oak table.  I knew that he was going to demonstrate the appropriate way to handcuff a person and immediately thought I would be the suspect.

I was not surprised when the officer asked me to stand. He approached me authoritatively and told me to place my arms behind my back. He slapped the handcuffs on me rather firmly and very tight, telling me to remain standing behind my chair while he continued to discuss the procedure and then stating the Miranda Rights.

“You have the right to remain silent. Anything you say can and will be used against you in a court of law. You have a right to an attorney. If you cannot afford an attorney, one will be appointed for you.”

The writer in me wondered if this was really a set up to arrest me for actions I may have participated in while a member of a violent East Los Angeles gang in my youth. And yes, that’s a different story for another time.

It was a curious sensation to be standing while handcuffed as the other participants hesitantly glanced my way offering a supportive nod or smile and a few suspicious squinty eyed considerations, as the officer continued to teach. He then dismissed the group, and as they walked to the door, a kindly woman asked if was going to release my handcuffs.

“Eventually,” he said with a serious look my way and a wry smile.

 

 

Nobel Prize in Literature

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2015 © Stephen Bruno

Typewriter Tea Kettle

Since I am completing a novel of humanitarian literature that I began several years ago and because I drink a lot of tea while writing, I decided to order this great working typewriter tea kettle made in the UK. I wrote the text printed on the lid as I believe in world peace and humanitarian literature to help us get there. As for my opportunity to receive the Nobel Prize in Literature, you just never know what can happen when you embrace your passion and commitment for a better world.