Framed Photograph Sold

hippie

Hippie 2019 © Stephen Bruno

Today after visiting a gallery in Cedaredge, Colorado, I found out that this photograph on a traditional canvas wrapped around a wooden frame was sold for over $300.

I photographed this man in June 2008 at the intersection of Haight-Ashbury streets in San Francisco, California. I was struck by his sense of inner peace. I remain an unapologetic hippie, and can so relate to him. On that day,  I was photographing humanitarian scenes around San Francisco. I have deep feelings about the people in these scenes and I use my photography to bring compassionate conscientious awareness.

The image is one of my favorites.

The owners have requested that I replace the same print as soon as possible but with a process that I now use with dyes that are infused directly into a specially coated ready to hang aluminum sheet to create a print with incredible luminescence, detail, and durability. The brilliant high-gloss surface shows every detail. Most of my remaining photographs in the gallery are printed with this method.

Yes, it is true that I an not just a wildlife photographer.

Welcome Home

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Bewilderment detachment; solemnly praying,
Ceremonial Presidential Wreath’s a-laying.
Arlington National Cemetery, Tomb of the Unknown,
Honoring the loss of Americans we bemoan.

Taps painfully playing; hearing a solitary bugle,
Accompanying the rat ta tat tat; the drum so regal.
Cascading tears bathing my flushed cheek,
The longer I stand, the more I’m growing weak.

Jo, a Vietnam Memorial Wall volunteer,
Recognizing the familiar gleam of fear,
Offering help up that emotional climb,
“Some vets don’t make it their first time.”

Pausing beside a letter, set against cool black marble,
Words piercing my heart like pieces of shrapnel.
A dispatch from Jo, to her husband, Bill,
The message passionate: my body expels a chill.

Reflections casting shadows over Bill’s name,
On the polished granite self-proclaimed.
We are weighing the wounds of war,
Comforting each other, and too many before.

Jo, Whispering, “Welcome home,” without pretense.
Feelings welling inside me with a vengeance.
Moving, moving without belonging: needing to roam,
Two decades passing; maybe now coming home.

Fourteen months of duty, then 20 years shutdown,
Jo hugging tightly: our tears kissing the ground.
Tracing names for many a veteran friend,
Too few years left; too much to mend.

A silver POW/MIA bracelet placed on my wrist,
“I’ve never taken this off,” exclaims Jo in earnest.
Col. Robert L. Standerwick Sr., the bracelet proclaims,
On the Wall a diamond, the uncertainty of his remains.

Pacing a moonlit path, painfully alone,
Endless names bathed in light: etched forever in stone.
Haunting Vietnam memories revived,
Endless names survive.

Emerging from a deathlike dream,
Eerie consciousness in an audible stream.
An unforgettable song latched in time and space,
“We Gotta Get Out Of This Place.”

Feeling drawn to a crying woman looking askew,
Tearing a piece of my last dry tissue.
Sharing a tender offering,
Each new song reviving memories of warring.

This woman expressing calm enlightenment,
Hugging me with abandonment.
Tears mingling in loving suction,
A reprieve of war’s self-destruction.

A hand from behind grabs my shoulder,
I know the reach; it’s from a former soldier.
Reminding me when life was bloody.
He calls out, “Welcome home, buddy.”

An unplanned march to the Laotian Embassy,
Protesting the POW/MIA conspiracy.
Needing to go not sure how or why
Must go for those names that will not die.

Faces painted symbolically white,
Carrying burning candles of spiritual light.
Singing fervent songs and chanting,
Embassy personnel: concealed–not recanting.

Waiting to hear from Lynn, a hush in the air,
Protesters listening with rapt attention.
Sharing of her father’s loss in Laos while flying,
Shear strength keeps her from crying.

Speech over, Lynn now sitting silently,
Near the steps of the Laotian Embassy.
Pushing past the Washington police,
I’m sitting beside her now, near release.

Illuminating the bracelet drawn by the dim light of her candle,
Staring into the eyes of each other, more than either can handle.
Name on the Bracelet…that of her father,
An hour and then- embracing each other.

Back at the Wall of war; seeking a touch of peace.
Nearly one a.m.; will this dream ever cease?
Time; that unforgiving nemesis,
Oh God! Release the genesis.

Three A.M. and God-forsaken,
Writing a grieving letter–twenty years and still so shaken.
Pinning it on the Wall with a twig, wet and broken,
The message is profound, the gesture…. a token.

A poem I wrote on the plane home about 6 am of some of my experiences visiting the Vietnam Wall the first time in Washington on Veteran’s Day 1979, after 20 years serving a 14-month Vietnam U.S. Army tour of duty.  As powerful as this portion is, I will present a more extended narrative of the incredible total pilgrimage to the Vietnam Wall in another post. The image is of me, and Jo as I was getting something from my backpack to leave at the Wall, photographed unknown to us by one of her friends. She mailed the photograph to me about a month later.

© 1989 Stephen Bruno

“Grande Dame of Costuming”

Kay Hirsch, courtesy of Prescott Center for the Arts

In March 1991 I interviewed Kay Hirsch, the costume mistress for the Prescott Fine Arts Association (now PCA). This was intended to be a theater piece for the Arizona Literary Review, published in Prescott, Arizona. It turned out to be much more. She was such a fascinating woman that I wanted to share this interview.

I met her at the Prescott Fine Arts Association in Prescott, Arizona. At the time of the interview, I wore faded jeans and a t-shirt with a creative design and had long hair.  (I still dress the same and still wear long hair). She was an eloquent lady and very proper in her greeting. Carefully, yet politely, looking me over she asked if it would be wise to confirm the interview with my boss at the magazine. When I told her that I was the Publisher and Editor she graciously motioned me to sit next to her at a dressing table without a pause.

I began the interview with her in the fitting room near a large walk-in closet full of many styles of shoes. Behind Hirsch, was a large clothes rack, full of period collarless shirts and suits ready to be fitted for a forthcoming play, which added a touch of theater. Her mood was alternately upbeat and serious as she reflected on the public and private events of her past 50 years.

“I grew up in a theater-going family in London. At that time, we had the very young, John Gielgud, Laurence Olivier, and Ralph Richardson. These actors are now all ‘Sir,’ but not at that time. All these people were all in their 20s and 30s, and it was a wonderful time to attend the theater. There was a program in which Alec Guinness played a sword-bearer. Margot Fonteyn-the famous ballerina), the same age as I am, was just coming along. That’s why I became interested in the theater.”

“I could sew well, so this was my entrance to the theater. I had no desire to be on the stage, but I wanted to work in theater. I fit into the seamstress role.”

She attended the Croydon School of Fine Arts and in 1938 became a member of the costume staff at the Westminster Theatre, London which was roughly equivalent to Off-Broadway in America.

“We did several plays a season. A year and a half later, World War II began and the theaters closed down for a while in London.”

Not only did she perfect her profession through experience and hard work, but she seems to have inherited a good dose of talent from her grandfather who was a very exclusive lady’s dressmaker in London.

“He made dresses for ladies to be presented in court back in the late 1800s. I sometimes think that my grandfather would be tickled that his daughter’s child is often making replicas of dresses he made many many years ago.”

When the theaters reopened, she was in the Women’s Auxiliary Air Force (WAAF) of the Royal Air Force. While most other women requested duty near home, she asked for a transfer to Ireland. She wanted to experience something new and different. She was assigned as a weather observer to the British weather office at a weather station at Nutt’s Corner, Northern Ireland, not far from Belfast. This was the first landing for the B-17 Flying Fortresses, after crossing the Atlantic. The aircraft were then dispersed to different units. This was one of the very few, if not the only airfield that was half British and half American. Hirsch was assigned as a weather observer to the British Weather Office.

“My future husband was sent to the American Weather Office and that’s how we met in August of 1943. With our mutual interest in theater, we spent our free time with the stage and concert party on the base. I was doing the costumes and he was acting or directing skits. That’s how we really got to know each other.”

The two young lovers entertained the American and British troops at Nutts Corner, took bicycle rides on their time off, and talked about the theater.

She applied to the WAAF request for volunteers for the Air Transport Auxiliary, never expecting to be accepted by the RAF for the WAAF. Then, in 1944, the RAF recruited Kay and 1,000 other women for single-engine flight training. Kay was one of only 16 who qualified. She was selected and passed the course.

“For the last two years of the war, I was flying aircraft that had one engine from one field to another, or from the operational fields back to the factory. I ferried Spitfires, Hellcats, Hurricanes, Tiger Moths, Swordfish and Barracudas on visual flying with no radios.”

From 1944 to the end of the war, Kay was Third Officer Ferry Pilot in the Air Transport Auxiliary. There were only about 162 women ferrying aircraft in non-operational flying.

“She and Zach married on June 5, 1945, in Croydon, England.”

At the time of their marriage, Hirsch was a ferry pilot for the Royal Air Force (RAF) and Zach was in the weather service branch of the U.S. Army Air Corps, which became the United States Air Force.

In 1946, she joined her husband in America. Eighteen years later, they moved to Minnesota where she worked for the Guthrie Theater in Minneapolis, which Sir Tyrone Guthrie had founded. She remained on the staff until 1972. She also worked as a senior costumer for the Minnesota ballet, Minnesota Opera, Minneapolis Children’s Theatre and Chanhassen Johnson Theatre.

“The Guthrie Theater was and still is famous for good quality costuming.”

After the war, Kay resumed her costume design career, and Zach joined the professional service of the Boy Scouts of America and became a national leader.

When the family transferred to New Jersey, she became a member of the costume staff for the McCarter Theater in Princeton, NJ for five years.

Then she moved to Dallas, Texas in 1979. There she sewed for Six Flags Over Texas, was senior sewer for the Dallas ballet, Dallas Opera, Shakespeare in the Park and the drama department at SMU.

“It was fun working all those different places.”

When he retired in 1984, she and Zach traveled to Phoenix to look at homes but fell in love with Prescott.

“We heard about the Prescott Fine Arts Association and quickly got involved with the PFAA.

“When we arrived in Prescott in 1986, we recognized a need to do costuming. I had never done community theater before.”

Hirsch found or sewed costumes for the performers. She mended and cleaned costumes during the run of the show. She was also the dresser, assisting performers with costume changes.

She designed and made costumes for over 110 main stage and Family Theatre Prescott Fine Arts Association productions in her 26 years as a volunteer resident costumer. One of her favorite shows as a costumer was Kiss Me Kate.

“A lot of people tend to think costuming is just throwing fabric together. It’s exactly the reverse because in community theater you’ve got clothes you perform in night after night. The wear and tear on them are much more than on a normal piece of clothing.”

The theater provided the Hirsch family the opportunity to make new friends, including young people.

“The high school kids coming through – meeting them and getting to know them, keeps us in touch with young people. Where else can you have a group of people from six years old to sixty plus, and everything in between? Where else, but in the theater?”

Hirsch was convinced that many people would enjoy the plays if they would only attend them.

“My husband and I are extremely impressed with the quality of the performances here. They are more professional than your average amateur production; the scenery and lighting are extremely well done.”

Kay Hirsch, the “grande dame of Prescott costuming” passed away on Sunday, October 17, 2010, at the age of 90 after an accidental fall and an ensuing infection.

My Artistic Renaissance

For more than five decades, my photography included wildlife, birds, nature, black & white film, humanitarian, travel, macro, documentary, fine art, headshot, and photographic artistry. I continue to teach aspiring wildlife and bird photographers on how to respect and photograph without intrusion. I embrace the essence of each wildlife in my images!. People tell me that I photograph with an artist’s eye. I believe that it comes from my naturalist’s heart.

I have decided to begin this birthday year also supporting my artistic renaissance. This includes experimenting with different new and used cameras, lenses, subjects, settings, filters, lighting, and other photographic procedures. I’m planning more astrophotography, abstract, surreal, black and white, and creative techniques.

Here are a few early samples of my photographic artistry from my original images taken over the years. There are powerful stories behind each of these images.

Brown Bear © 2019 Stephen Bruno, Wildlife Safari, Winston, Oregon © Stephen Bruno

Carousel Horse © 2019 Stephen Bruno, San Francisco, California © Stephen Bruno

Pyramid Lake © 2019 Stephen Bruno, Paiute Tribe Reservation, Sutcliffe, NV © Stephen Bruno

Classic Aircraft © 2019 Stephen Bruno, Reno, Nevada © Stephen Bruno

Classic Car © 2019 Stephen Bruno, Reno, Nevada © Stephen Bruno

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Grand Mesa, Colorado Adventure

One of the beautiful Grand Mesa lakes 2019 © Stephen Bruno

One of the beautiful Grand Mesa lakes 2019 © Stephen Bruno

One of the beautiful Grand Mesa lakes 2019 © Stephen Bruno

One of the beautiful Grand Mesa lakes 2019 © Stephen Bruno

Last week, after a picturesque drive up the Grand Mesa Scenic Byway, I spent several days on the Grand Mesa for the first time since I moved to Cedaredge, Colorado last December. I was celebrating my 71st birthday which I wanted to do in pristine nature with diverse wildlife. It was incredibly beautiful, with numerous lakes and reservoirs surrounded by trees and vast meadows. I stopped at a few of the crystal blue lakes to take some quick photographs mostly with my compact camera.

Black Bear Mug 2019 © Stephen Bruno

My next stop was at the Grand Mesa Visitor Center. I spoke with a well-informed forest ranger about wildlife. She mentioned recently seeing a Black Bear on her hike and of course squirrels and chipmunks, large Mountain Lion tracks, a big Coyote who stood his ground and, Yellow-bellied Marmots. In the past, I have photographed each of those critters, but I have never observed a Yellow-bellied Marmot. I purchased this Black Bear mug at the Grand Mesa Visitor Center as a reminder of my birthday adventure and to contribute toward their work in supporting wildlife.

Alexander Lodge 2019 © Stephen Bruno

I checked into the Alexander Lodge and received the key to my small cabin, The family-owned lodge prepared the cabin several hours early knowing I would arrive before 3 pm check-in.

My Cabin 2019 © Stephen Bruno

After receiving the key to my cabin I unloaded the car and walked to the nearby lake.

Bald Eagle 2019 © Stephen Bruno

I observed a large Bald Eagle flying over Cobbett Lake within walking distance. It was too high to get reasonable photographs and was beautiful to watch it soar higher and higher while looking down towards the water for fish to catch. I was told by a woman from Altitude Outdoor Adventures near the lake that the Bald Eagle visits several lakes periodically and has been observed swooping down and catching large fish from the water.

Golden Mantled Ground Squirrel 2019 © Stephen Bruno

Golden Mantled Ground Squirrel 2019 © Stephen Bruno

I was enchanted by an adorable friendly Golden Mantled Ground Squirrel who was missing one ear. He posed as we connected. Although I was told he was not friendly for most visitors he came out to say hello whenever I was near the lodge. He was one of the highlights of my birthday.

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Forest Trail 2019 © Stephen Bruno

I took a leisurely walk along a trail adjoining Cobbett Lake and I enjoyed being in the cool mountain forest air reveling in the sounds of nature. I did get bitten by a few mosquitoes. I brought some mosquito repellent but never felt the need to use it. I applied a little witch hazel to help with the itching in the evening. I didn’t experience swarms of mosquitoes that have been reported in the Grand Mesa area, and they were more than tolerable. I embrace them as I do all wildlife, and that seems to make a difference.

Yellow-bellied Marmot 2019 © Stephen Bruno

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Six Of My Photography Prints on Display and for Sale at a Cedaredge, CO Gallery

My photography prints for sale at the Appleshed in the High Style NXS, 250 S. Grand Mesa Drive, Unit H, Cedaredge, Colorado. Image 2019 © Stephen Bruno

Recently I was asked to display some of my Fine Art Photography at a gallery in Cedaredge, Colorado. Currently, I have six prints on display for sale.

Three of the prints are wildlife. The other three include blood moon, San Francisco carousel with a creative rendering, and one of my favorites is a hippie sitting at the corner of Haight-Ashbury, San Francisco, California.

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My photography prints for sale at the Appleshed in the High Style NXS, 250 S. Grand Mesa Drive, Unit H, Cedaredge, Colorado. Image 2019 © Stephen Bruno

This is the first gallery showing of my photography in many years. The gallery is located in a large building known as the Appleshed, which has a café and wine tasting along with many high-quality galleries of photography.

These prints represent my previous photography style. I knew that when I moved to Colorado and especially in the mountains that I would dramatically change my photography approach and style. Given the geographical area that I now live in, I will continue to photograph diverse wildlife and nature, including lakes, mountains, rivers, and landscape.

I want to photograph subjects that stimulate curiosity, emotions, and wonderment. This includes people in nature, wildlife and birds in action, and trees and flowers from an unusual perspective, and much more.

I am a wildlife, nature, and humanitarian photographer living in the small charming mountain town of Cedaredge, Colorado. I teach aspiring wildlife photographers on how to respect and photograph wildlife without intrusion. I photograph to be surprised and delighted. For over fifty years, I continue to embrace the essence of each wildlife in my images! People tell me that I photograph with an artist’s eye. I believe that it comes from my naturalist’s heart.

“Where Have All the Flowers Gone” – The Kingston Trio

My new acoustic guitar 2019 © Stephen Bruno

I had a guitar in the early 1970s, and I was teaching myself how to play while a counselor at a free clinic in California. After guiding a young man from committing suicide, I loaned him my guitar for inspiration. It must have worked as he never returned it, and I felt he needed it more than I did.

It is 49 years later and time for me to follow that initial passion of mine. One goal is to learn how to play meaningful songs on the guitar and lead the diverse groups that I teach in singing folk songs, including some of my original songs telling relatable stories and fusing some with other genres.

Yesterday I purchased an acoustic Breedlove guitar and took my first one-hour lesson. An injury to my shoulder and surgery on my thumb creates an obstacle that I am embracing. Yes, and being 70 years old while learning how to play the guitar perhaps poses another challenge.

I believe that my passion is greater than the challenges, and in time, I will be joyfully singing along with the people in the gatherings while playing the guitar.

The Opposable Thumb

 

The day after thumb surgery 2019 © Stephen Bruno

Perhaps you’ve heard about the opposable thumb that we humans share to a degree with all primates. I have known this relationship with primates since I was a child. Of course, as a naturalist, I understood the importance of the opposable thumb. However, it took an unexpected injury to learn just how significant our opposable thumb is to us, humans.

One morning I awoke intent on performing my countless routine tasks and getting out in nature to photograph wildlife. I quickly realized that whenever I moved the thumb of my dominant right hand in a specific direction or touched something too hard, I experienced intense pain.

I can’t recall having a trauma that created this unexpected situation. I had recently moved to a charming small mountain town and for the first time in many years had to shovel snow on my driveway. I thought maybe that was the cause, but I don’t remember the thumb being painful soon after the snow shoveling. I can’t think of anything that had occurred within a few weeks of the pain that I had done to create this condition.

I could not easily turn the key on and off my vehicle, write using a pen or pencil, brush my teeth, open jars, and at least twenty other normal activities. It soon became apparent that how this occurred was not as important as how it had suddenly and dramatically changed my life.

The intensity of the pain was distracting, to say the least not to mention how restrictive my life had suddenly become. I’m certain that if any of you have experienced what I’ve described some of this is not new to you. Each day I am amazed at the new tasks that I could no longer do without pain.

This month I had surgery on my thumb, and I continue to encourage healing. I remain optimistic in my prognosis.

Throughout all of this and in spite of the pain and definite limitations, the majority of my thoughts are a wondrous curiosity about the power and influence of our opposable thumb and how vital it is in our daily life. How could I have missed this obvious awareness?

Perhaps, it’s true that we don’t fully appreciate something until we no longer have it. I will look at other aspects of my life that I’ve taken for granted with equal dismissal.

Unapologetic Hippie

Stephen Bruno while photographing wildlife and nature.

I took the road less traveled by, and that has made all the difference. 
Robert Frost – The Road Not Taken

Recently I visited the local medical office which included a nurse drawing blood for routine tests.

During the procedure, she noticed my shoulder-length hair, beard, and loose-fitting clothes.

She asked with a measure of innocence and curiosity, “Are you a Hippie?”

I smiled and responded, “Yes, I’m an unapologetic Hippie.”

I still favor long hair and casual, often unconventional, dress including tie-dyed shirts with peace signs. I continue to wear a beard and long ago gave up my Birkenstocks sandals. I gave them to a woman to share how it felt to ‘be in my shoes.’ I adopted a strict vegan diet based on unprocessed foods, supported animal rights. and I practiced holistic medicine all of which I am recently revisiting.

I would have attended the 1969 Woodstock Festival near Bethel, New York, from August 15 to 18, 1969, which drew between 400,000 and 500,000 people if I was not already serving my 14-month tour of duty in the U. S. Army in Vietnam.

Some hippies “sold out” and became part of the materialist, culture. I’ve done my best not to sell out. I still embrace the Hippie values of peace, love, compassion,  idealism, and Zen philosophy. I believe in trade or barter and sliding scale fees.

Like Frank Zappa, I avoided drugs and preferred the “natural high,” through photography, writing, listening to music, dancing, camping, and other natural activities.

I am old enough to have earned every wrinkle in my face, puffy eyes, scar on my body, all the silver in my receding hair, and nose marks from my eyeglass frames.

And yes, I remain an unapologetic Hippie.

 

Horror Novel

Horror Novel 2019 © Stephen Bruno

As many of you are aware, one of my passions is photography and especially wildlife photography which I’ve been doing for over fifty years. An even bigger passion is my love of writing especially fiction which, according to my older sister, I was writing short stories at four years old making it over sixty years of writing. I am continuing to complete several novels and a few nonfiction books this year.

With my knowledge as a wildlife photographer and naturalist, I am writing a new Horror Novel beginning with the sighting of wildlife predators congregating around the town park by a man walking his dog. Then frightening strange unspeakable things began to happen in the dead of night.

Loving My New Home Town

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Historic Downtown Cedaredge 2019 © Stephen Bruno

I love the charming small mountain community with its three blocks of historic downtown, one traffic signal, minimal traffic, two banks, a community art center, shops, restaurants, Cedaredge Town Park, and about 2,266 residents to mention a few wonderful things.

Cedaredge Town Park 2019 © Stephen Bruno

It has been a little over a month since I relocated to the Cedaredge, Colorado at an elevation of 6,264 feet, and my friends have inquired about how things are working out. They know that one of the primary reasons for moving to the mountains was that as a wildlife photographer I wanted to connect with and photograph the diverse wildlife and nature.

Mule Deer Buck 2019 © Stephen Bruno

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Baby Stephen

Baby Stephen, at Humane Society of Ventura County

I received a wonderful early Christmas gift by email with this photograph this afternoon from a good friend.

The message said:

Donations were made in your name at Rancho Relaxo for Baby Stephen, at Humane Society of Ventura County for the animals affected by fires and, one hundred trees were planted in your name. Knowing you, this is closer to your heart than any material gift.

How touching to know that the potbellied piglet is cared for at the shelter and adoption Humane Society of Ventura County and a donation to care for him in my name. I’m going to continue donating for his well-being.

I also value that 100 trees are planted in my name to grow tall and strong for all the forest critters and people to experience.

Teaching the Essence of Wildlife Photography

 

Beaver photographed in darkness across the lake May 2018 © Stephen Bruno

I am frequently asked about my approach to teaching wildlife photography. I have a different perspective on teaching photography classes and workshops. Drawing on my writing, art, and photography background my teaching emphasis is on spontaneous natural creativity and systematic technology.

I believe that it is the craft of ‘process,’ that creates the art of photography. Regardless of the technical acumen, the camera cannot tell the photographer what to include in the composition. No matter how advanced the camera is, it cannot create a connection with the subject nor show when to press the shutter button.

I teach The Essence of Wildlife Photography for beginner, intermediate and newly professional level photography enthusiasts primarily for people with DSLR cameras and compact cameras that offer some setting options. People with point and shoot cameras without setting options will still learn many valuable photography principles.

Included in the easy to learn field instruction on wildlife photography are natural non-threatening wildlife approaches, and camera settings (ISO, white balance, shutter speed, aperture, shooting modes: manual vs. aperture and priority vs. shutter priority, etc.). Instruction also includes learning how to hold the camera steady, obtaining clear images of birds in flight, using a variety of background effects, and creative use of the composition.

I teach wildlife photography in a patient, compassionate, and thorough manner with easy to follow instructions using lecture, demonstration and hands-on approaches tailored to the students. I photograph to be surprised and delighted!

The emphasis is on practical field practice. I share numerous professional tips and techniques from my many years’ experience of wildlife photography from film to digital. Students are encouraged to bring their digital camera, owner’s manual, plenty of charged batteries, and extra storage media.

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Preparing for Snow in Cedaredge

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Rescued Mountain Lion 2014 © Stephen Bruno

Somehow, I have managed to live to be 70 years old, and I want to be in as good a condition as I can to continue my passion for wildlife and nature photography. I am looking forward to moving to Cedaredge, Colorado in a few days and I’ve decided to walk every day from my home in Cedaredge and build up my endurance for continuous hiking higher up the mountain later in the new year.

Not having an all-wheel-drive vehicle I need to park and then hike into remote areas to visit some of the lakes. I’m planning on camping and occasionally renting isolated cabins on the Grand Mesa. I want to get up early and observe and photograph the Black Bears, Mountain Lions, Moose, deer, and other wildlife living in the mountains.

Cedaredge is already experiencing some snow, and it could snow on the day I move into my new home. I sense that this will be a heavy snow season. It was time to get some quality snow boots. Today I found Sorel Men’s Conquest Boots that I believe are going to work well for me. They will support me in 3+’ deep snow and -40° conditions while keeping my feet warm and dry. They also will be a benefit during the summer for hiking around the Grand Mesa.

Sorel Men’s Conquest Boots 2018 © Stephen Bruno

I’ll post photographs of my walks around charming Cedaredge and on my visits to the surrounding small towns in addition to my photography adventures on Grand Mesa during each of the seasons here and more images on my Stephen Bruno Photography website.

I photographed the rescued Mountain Lion, who I found to be gentle, at an animal sanctuary and I had the opportunity to connect with it and pet it. I took the image of the new snow boots with my compact camera.

Wildlife Print Adoption

2017 © Stephen Bruno

I created this blog, Curious Wordsmith, to share my miscellaneous musings, writing, and more in thought-provoking, intelligent, informative, humorous, and entertaining posts. Curious Wordsmith is now the foundation for my memoir.

I’ve been rather reluctant to write a memoir although I have had some fascinating experiences to share. I finally agreed to write a memoir when my daughter implored me to write about my experiences when I was in the US Army stationed in Vietnam for my 14-month tour of duty. She especially wanted my granddaughters to know what it was like for me in Vietnam.

It wasn’t that much of a stretch to think about including nonmilitary experiences which of course are the greater part of my life. With more time available since I recently withdrew from all my social media except my websites and this blog, I’m going to write blog posts more frequently.

As most of my faithful blog readers are aware, a year ago this month I moved from Prescott, Arizona to Grand Junction, Colorado. In a few days, I am moving to the small charming mountain town of Cedaredge, Colorado. Moving in the winter can have its challenges. However, I can’t think of a better season to cuddle up in my Pendleton shirt jacket with a hot cup of tea and edit some of my books in preparation for publication next year.

In my current home, I had mounted some of my framed wildlife photographs to enjoy and share with friends and visitors. Soon after I found my new home in Cedaredge, I knew that although I had these framed wildlife photographs for quite a few years, they were not going to come with me this time. In the past, I’ve had offers from fine art photography lovers to purchase my prints from my photography website or when I had gallery shows. This time I knew that I didn’t want to sell them. I wanted to gift them to people who felt drawn to the images and who would receive pleasure having them in their home.

I wasn’t quite certain of the logistics in sharing the framed prints on my wall at home and who would receive them. It’s been fascinating to observe the process of how each print finds a home. The people who adopted my wildlife prints include a FedEx driver, a Reiki Master Teacher who recently graduated from one of the certification classes I taught, a family that receives my Life Coaching, a grocery delivery driver from Safeway, GrubHub delivery driver, pizza delivery driver, and a house cleaner. Now all of my framed wildlife photography has found a caring home.

It has been an unexpected pleasure in learning how my wildlife prints have found the right family home where they truly belong. I believe that this is the beginning of a tradition that I will continue.

Christmas Magic

Christmas 2006 © Stephen Bruno

Yesterday I took a break from packing and then visited a nearby restaurant for the first time.  A waitress in her 30’s came and took my meal order to go and kindly offered to bring me something to drink while I waited.

After a while, she returned and began a friendly conversation. I learned that she was from Tennessee, which explained her accent. She added that her husband and children were still there while she was staying with her father in Colorado who was ill and challenged with cancer.

I could tell that she deeply missed her family in Tennessee.

“I’m glad I’m sharing the holidays with my father, and that he is not alone now. We are very close.”

We talked more about her father’s health issues and how she flies back home for a quick visit whenever she can.

“I could never leave my father alone for long while he goes through his illness. My father does not have family or friends or anyone in Colorado to take care of him, and even if I could afford to pay someone, I would never do that. He is family, and I need to do what is right by being here no matter how long.”

She became busy with other customers and then returned with my meal telling me that she added an extra amount of salad for me.

I looked deeply in her eyes with compassion and connecting with her essence, and I asked her a question.

“Do you believe in Christmas magic?”

“I do believe in Christmas magic,” she said without hesitation.

“I believe you have some Christmas magic coming to you.”

“Really?”

“Yes, you have earned it.”

“What’s your name?”

“Stephen.”

“I’m Kate. It is nice to meet you.”

With a parting glance over my shoulder, we smiled with our connection and nodded in spiritual understanding.

Given what I know about sharing Christmas magic, I knew that this was one Christmas she would remember for many years.

Embracing New Adventures

They are packing and are moving to Cedaredge with me.

The end of this year and the beginning of the new year brings many adventurous changes in my life and hopefully for yours. I’ve always told friends that the only fear I have is remaining the same tomorrow as I am today. Perhaps, this is why I’ve been a risk-taker my entire life.

I’m moving very soon from Grand Junction, Colorado to my new mountain home in Cedaredge, Colorado where the Grand Mesa’s southern slopes meet the Uncompahgre and Gunnison River valleys. The charming mountain town offers friendly neighbors, orchards, and access to dozens of trout lakes. I love that the town has only one traffic signal and just a few historic downtown blocks of diverse small businesses.

Late fall brings bushels of apples on the town’s many trees. The large apple tree in my backyard brings dozens of deer to nibble on the apples. I look forward to connecting with them and taking some photographs to share. This past October, I attended the annual Applefest held at the Cedaredge Town’s Park within walking distance from my new home. Applefest brings over 20,000 people and it is free to attend. I had an amazing time visiting the over 200 vendors, wonderful music, and tasting the delicious food.

Cedaredge genuinely feels like stepping into a Hallmark movie with a sense of community, natural beautiful surroundings, and a wonderful quality of life. Yes, I know, I’m a hopeless romantic, and I do enjoy the Hallmark Christmas movies this time of year. I can believe in experiencing the magic of Christmas. Seriously, wouldn’t you want to have this pleasure? Moving to Cedaredge means I can have the pleasure all year long.  I believe in sharing community with compassion. Today I arranged to volunteer as a server for the Cedaredge Christmas dinner this year. Over 300 people are expected. The cost is a donation but not required. The dinner location is within walking distance of my new home.

Just 15 minutes or so from the town on the Grand Mesa Scenic Byways there are old-growth forests, aspens, meadows and 300 beautiful lakes that lead to the Grand Mesa mountain. I’m planning on taking countless color digital and black and white film photographs of wildlife and nature throughout the four seasons to share. This is one of the reasons I wanted to move to Cedaredge.

One immediate change is that I am honoring my values and principles and I am closing out my Facebook accounts effective today. For a while now, I have been concerned about the direction the Facebook company is moving. From the company’s reactions rather than responses to the community’s trust concerns, I do not believe that Facebook will institute necessary positive changes anytime soon. Nevertheless, I’ll share on this blog, the same positive posts I have on Facebook.

I am encouraging my supportive friends on Facebook to connect and follow me by registering on this blog. You’ll receive an email notice every time I share a new post on the blog. You can now view photographs that I have frequently posted on FB for many years on my photography website at Stephen Bruno Photography. My newest photographs are in the Recent Photo Shoot gallery. The benefit is rather than a select few images I’ve posted on Facebook, you can now see many more images from my photo shoot.

Next year is the time I plan to publish several novels, nonfiction books and poetry, and short stories that I’ve been working on for an eternity. Well, at least it seems that way. I know that I have more wrinkles, less hair, and more bags under my eyes than when I began these books. The beautiful charming mountain atmosphere, wild critters, and friendly people can contribute to my creativity and productivity.

To love means loving the unlovable. To forgive means pardoning the unpardonable. Faith means believing the unbelievable. Hope means hoping when everything seems hopeless.

~Gilbert K. Chesterton 1874-1936, British Author

Not Exactly My Finer Moments.

Mallard Duck, 2016 © Stephen Bruno

Many years ago, I was the Publisher and Editor of the Arizona Literary Review, a monthly literary, art, and photography magazine. Today I was sorting through some of my papers for better organization when I found a copy of the June 1992 issue of the magazine. It was a bit of nostalgia to look through Arizona Literary Review.

While looking at this June issue this morning, I valued high-quality literary, art, and photography that people submitted. When I created the magazine, I imagined that it would eventually reach across the country. I had no idea that people as far away as Paris, France would subscribe and send their submissions, including well-established authors.  As a writer, artist, and photographer It was a pleasure providing opportunities for contributors to be published, some for the first time. Decades later, I happened to meet a neighbor who reminded me that I published his photography in the first issue of the Arizona Literary Review. This visibility started his professional career, and he became a renown photographer.

I read an article in the issue that I wrote in my column, From the Publisher & Editor titled, I Fell in Love with Marie Antoinette, about imagination, creativity, and sometimes not taking ourselves too seriously. I would like to share this with you in my blog post as I believe there is still some relevance.

When we fall in love, I believe that the latent characters who normally reside passively within our psyche suddenly emerge. Our emotions intensify creating illusions of reality. Romantic songs play “just for us,” and the world revolves around our immediate needs and desires. You know the sense when the flowers are brighter, the air is crisper, and the birds sing sweeter.

With creativity, passion is also aroused and inhibited, equally often without satisfactory resolution. The quality of this relationship to creativity determines how we share our passion. Sometimes it is expressed by writing, photography, painting, dance, or music.

There are moments when I can recall a furtive glance by an inquisitive squirrel; the whooshing sound of wind embracing the tall pines; the distinctive aroma of summer blossoms, and cherished memories for a high school sweetheart. The haunting words and melodic rhythm of the 60s song, We got to get out of this place, revive the indelible melancholy and mania for my 14-month tour of duty in Vietnam. Then these memories vaporize just as suddenly.

My passion is to understand how this lingering tenderness in such sensorial experiences manifests itself in unrestricted drawing, painting, writing, and photography. I feel drawn into and captivated by this intimate involvement with my raw emotions in an undefined desire for creativity.

The arduous process of establishing an authentic relationship with creativity is an intimate, passionate process. Having our work published is a collective external experience. Poetry, fiction, photography, music, dance, and drama caress the heart soul and spirit. As an artist, writer, and photographer I appreciate the creative depth from others who also enjoy these mediums.

Relationships real or imagined are a wealth of resources for story, character, and plot development. Several years ago, I indifferently requested a book on Marie Antoinette through a popular book club. To my astonishment, I identified with her struggles, dreams, losses, adventures, letters, and trauma dramas.

I began writing a historical novel reflecting on the essence of Marie Antoinette.  The positive elements of her life and personality that are less known. Sometime during that year, I fell in love with Marie Antoinette and rediscovered my creative passion soon after I published the Arizona Literary Review. Many years earlier as Editor-Chief of my college newspaper I produced the weekly publications with great enthusiasm, but without as much passion.

I believe that we stimulate our inspiration when we experience the unusual in the familiar. In my thirties, at an airline terminal, I sketched on an imaginary drawing pad the divergence of passengers waiting to board a flight. I observed their mannerisms, conversations, and facial features which I committed to memory for later retrieval in one of my novels.

Startled out of my reverie of character sketching, I heard the last few words of my flight’s departure announcement in the loudspeaker. Reaching for my portable art bin, I remembered that the drawings and art supplies were imaginary.

Feeling chagrined, I hurried past all the passengers to the front of the line along the tarmac towards the America West Airlines aircraft so that I could get the window seat that I preferred. At that time no one had assigned seating. Unlike at many airports today, everyone walked along the tarmac and climbed the mobile stairs to board the aircraft.

Consumed with my recent creative energy and overly stimulated imagination, I climbed the portable stairs leading to the aircraft’s forward cabin ahead of the other passengers. On the aircraft at the top of the stairs, a uniformed Flight Attendant politely greeted me and asked to see my airline ticket. With a curious appraisal of me, she suggested that this was not the correct aircraft that I wanted. Trying to nurture me through my confused gaze, she said that the flight I wanted was on the other side of the aircraft.

With a slight half-smile, she pointed to the last of the passengers on my flight who were on the tarmac walking to the other side of the aircraft. I couldn’t help myself I and asked if she was sure that this aircraft was not my flight. Once again, with a measure of infinite patience and smile, she said that she could assure me with absolute confidence that I was not going anywhere on this aircraft.

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Cross Between a Saber-Tooth Tiger and a Fire-breathing Dragon

Stephen Bruno

When I was in the first grade in elementary school in East Los Angeles, I had a serious accident outside the classroom. My symptoms included a nosebleed, swelling, bruising, crooked nose, black eyes, trouble breathing and a “cracking” sound when touching my nose.

I was rushed to the hospital by the school nurse who had me hold an ice pack on my nose. In the ER the doctors examined me and diagnosed severe facial fractures that included a broken nose, a septal perforation, and a deviated septum. They decided that I required immediate surgery.

I was prepped for surgery, given a local anesthetic and quickly brought to the operating room. The surgical nurses positioned me on my back, and I remained awake for hours watching several otolaryngologists working on my nose. Whenever the local anesthetic wore off, I let them know, and they provided more help that I appreciated. The operation was all a surreal experience especially since I was only six years old.

After the lengthy and intensive operation, a surgical nurse and several orderlies brought me to a post-surgery recovery room for monitoring. A splint was made to hold the nasal tissues in place until it stabilized and to protect the nose from accidental bumps when I slept and help it heal normally.

The next day, the nurses brought me to a children’s ward for recovery. The ward was a large rectangular open room with many children my age and a little older lying in their beds. Thirteen years later I was reminded of this setting after being drafted and sharing a similar large room with wall-to-wall beds during Basic Training at Fort Ord, California. The doctors told me that I would remain in the ward until I began to heal for several days, weeks or longer.

The kids could tell by the bandages on my nose and the sterile strips of gauze hanging out of each nostril that I recently experienced nose surgery. Of course, after the anesthesia wore off, I was in a lot of pain and continued to receive pain medication and antibiotics during my stay on the ward.

I began to get to know each of the kids in the ward out of curiosity and the means of distraction from the ever-present pain. Eventually, I found out that each of the children in the ward had a terminal illness and most of them had lived on the ward for months and some longer. It didn’t take long for me to feel humbled by their tragic medical circumstances while I only had a broken nose that required healing. I didn’t know what my nose would look like after the surgery and recovery. However, I knew my life was not in imminent or probable danger from the nose fracture.

I was very impressed with each of the kids and how they handled the challenges of immense pain, isolation from their family, countless medical tests, and insufferable boredom. I learned a lot about myself and other people that have lasted a lifetime from this experience that transcended the surgical trauma and recovery.

When finally, I was released from the hospital and sent home for more weeks of recovery, everyone in the children’s ward including the nurses shared a heartfelt sendoff. It was a bittersweet time given that some child abuse issues were waiting for me when I returned home.

During my recovery at home, there was still considerable bruising as well as swelling, and I had to make sure that my head was elevated, especially when sleeping or lying down to prevent further or prolonged swelling of the nose. I had to continue with the long strips of gauze hanging down out of my nostrils to soak up the blood. I imagined looking like a cross between a Saber-Tooth Tiger and a fire-breathing dragon. Nonetheless, I couldn’t stop thinking about the kids and especially some of the boys I talked with the most.

I still have a deviated septum, and my nose never quite looked the same. I have received comments like, “Your nose is an interesting conversation piece.” Although I am uncertain of exactly what that means, I have gracefully adopted my new nose.

After more of my recovery, I gathered up all my classic plastic green army men soldiers with a few military vehicles and accessories. I asked my mom to take me back to the children’s ward and wait in the lobby. Talking with the nurses who kindly remembered me, I was sad to hear that some of my newfound friends had died from their illness since I last saw them. It was too heartbreaking to give the toys in person, so I arranged with the nurses to anonymously share the gifts with my remaining friends and to see that everyone received something to sustain their playfulness during the countless boredom.

Frequently over the years, I’ve thought a lot about my time on that ward and each of the kids. We shared life and death conversations only young children with a terminal illness can have. It certainly puts into perspective the traumas that we must face when we think of what others must endure, and I began to embrace unconditional compassion as a lifestyle to the best of my capacity.

Heart & Soul

When I was in my late 20s, I had an unexpected experience with a noted cardiologist that touched my heart and soul. Consider playing this video as you read the post, before or after.

I was the Executive Director of a mental health agency in California. One afternoon the President of the Board of Directors asked to meet with me in my office. Although not uncommon to meet with me, she sounded excited rather her usual calm. After a warm greeting, she said that a close friend of hers was the Director of Cardiology at a major Adult Cardiology and Heart Surgery Hospital. I had recently written and received a large grant for the mental health agency, and she wanted me to meet with the Director of Cardiology and discuss my writing a grant to expand their Adult Cardiology and Heart Surgery departments as soon as possible. That same day I called the Director of Cardiology and scheduled an appointment to meet with him the next day as he was very eager to discuss the possibility of a grant.

I expected an administration staff member to initially offer a tour of the hospital and especially the Department of Cardiology. And then I’d sit down with the Director of Cardiology to casually discuss what the medical needs were, and the time frame for the grant. When I arrived at the 900+ bed hospital, the Director of Cardiology was nervously waiting for me in the lobby. He was exuberant in his appreciation of my willing to write a grant.

He ushered me into a large wood-paneled conference room with many men and women physicians and staff sitting around a large rectangle oak table. The Director motioned for me to sit at the head of the table, as he leaned against a large laminated Anatomy of the Heart Anatomical wall chart.

He introduced me as the Executive Director of a mental health agency who was going to use my grant writing expertise to obtain enough money for expanding the Adult Cardiology & Heart Surgery departments.

“Stephen, please give your presentation to the department heads and staff about how you are going to bring us an abundance of money for the hospital to better serve our patients.”

I must admit I was a bit stunned and not quite prepared to provide a formal presentation. I had also dressed rather casually. I didn’t have any appropriate background information on the hospital’s needs to intelligently address acquiring money through a grant. Not to mention, all the pairs of eyes looking at me with glances and stares representing everything from curiosity, hopefulness, and suspicion.

I took a long pause and a deep breath trying to figure what I could share. I briefly described the process of writing a grant and the large grants that I had written and received for the mental health agency. I explained that I would need more specific information about the needs of the hospital and especially the Adult Cardiology and Heart Surgery departments before I could provide them about what would be involved in the grant and the timeframe.

“Does anyone have a question for Mr. Bruno?”

One physician understandably asked if I had any medical experience. I told him that I was in the medical field with the Army in Vietnam for fourteen months and that I had an experience as a combat medic. An administrator asked about the size of grants and how much governmental red tape was involved. Another physician inquired about the time it took to receive the money once a grant was submitted. A staff member asked if the money had to be returned at the end of the fiscal year if grant money remained.  I responded to these and other important questions.

The question and answer process seemed to appease the group who believed I might have the necessary knowledge and skills to successfully write a grant. The Q & A seemed to be a turning point and I began to feel more comfortable. At the end of the meeting, the physicians and staff approached me at the coffee machine sharing that they were appreciative of anything that could be done to make a difference for the Adult Cardiology & Heart Surgery departments. I could feel the compassion and genuine caring that these people had in their excitement for the possibilities of obtaining high tech medical additions and more physicians and staff.

The Director then took me to lunch in the cafeteria and shared a bit about his personal life, his family, how he got involved in cardiology and all that he looked forward to in the future. I grew fond of him and respected and valued his commitment to compassionate service for more than four decades.  His heartfelt caring for all the patients was refreshing. In some ways, he reminded me of Dr. Schweitzer and his commitment to patients.

After lunch, he gave me a thorough tour of the entire hospital while introducing me as a cardiology Savior to each medical staff much to my embarrassment and probably theirs. The Director’s energy, enthusiasm, and excitement for the medical possibilities was contagious. I too began to feel the same way and couldn’t wait to learn more and get started on the grants.

When we came to the Cardiology and Heart Surgery departments, the Director became more reflective and serious. He described some of the situations of cardiac issues he handled with patients.  It was clear that he still felt deep emotions about the people who did not survive their surgery and his elation for those who went on to lead a lengthy fulfilled life after surgery. I’m not sure if it was more my commitment to him or the hospital in general that inspired me to want to write the best grant that I had ever prepared.

Before I left the Cardiology and Heart Surgery department, I hesitantly mentioned to him that I had experienced some symptoms he described with his previous patients, that had me concerned about my own heart and that I never had a thorough cardiology exam.

“Since you are going to write a grant for us the least we can do is to provide you with a thorough cardiac examination without any fee. I will personally perform the tests and examination along with our best technicians.”

He asked me to return in the afternoon the next day to begin the exam and tests. I expressed my gratitude, and I felt reassured by this generous offer.

I returned to my office thinking about the meeting and trying to figure how in my busy schedule as Executive Director I could have the time to write one or more sophisticated medical grants. I sorted out my options for continued mental health services, and time for the grant and the deadlines. I decided that there were ways to do this with mutual benefits.

The next morning, I received a call from the President of my Board of Directors. She sounded rather solemn.

She asked to meet with me at the office, and I told her to come right over before I left to meet the Director of Cardiology at the hospital. When she arrived, her demeanor was congruent with how she sounded.

“The Director of Cardiology that you met with yesterday suffered a cardiac arrest during the night and died.”

While we both stared at each other, I had to take a few minutes to process what she had said and considered the irony of this doctor so committed to helping people with cardiac issues had suddenly died of one. I thought of his family that he had discussed and their loss and the loss to the hospital. I felt the loss of a new valued friend.

I learned a lot from that experience. I remember him as the epitome of what we would like our doctor to be especially with something as serious as cardiology issues. I have thought about him over the years, and I’ve looked for other doctors who exemplified the same attitude for my personal care and care of my loved ones.

I continued my service on behalf of people needing mental health with a renewed vigor and commitment. I remained at the mental health agency for about another three years before leaving the state and moving on to other mental health services. One thing that never left my mind is how tenuous and precious the moments of our lives are, and how you can’t always prepare for sudden dramatic traumas. I previously learned this in my gang days in East Los Angeles and certainly in Vietnam in the medical field.

I sometimes play one of my favorite Oldies,  Heart, and Soul, which reminds me of how much a difference we can make by lightening the load for others, being enthusiastic and hopeful, and sharing joy, like this compassionate doctor who cared so much from his heart and soul.